Classicly

The present work closes a series of studies on the literary preparation for the French Revolution. It differs from the companion volumes on Voltaire and Rousseau, in being much more fully descriptive. In the case of those two famous writers, every educated reader knows more or less of their performances. Of Diderot and his circle, such knowledge cannot be taken for granted, and I have therefore thought it best to occupy a considerable space, which I hope that those who do me the honour to read these pages will not find excessive, with what is little more than transcript or analysis. Such a method will at least enable the reader to see what those ideas really were, which the social and economic condition of France on the eve of the convulsion made so welcome to men. The shortcomings of the encyclopædic group are obvious enough.